How to Relate to Jazz Artists

Date: 2010.09.03 | Category: Musicians | Response: 0

How to Relate to Jazz Artists

Jazz is a musical art form which originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. Because of the continuing popularity of Jazz we explore it’s history and how to relate to jazz artists.

Jazz music was, ultimately, the product of New Orleans’ melting pot. These groups were formed by Italians, Creoles and all sorts of European immigrants. Jazz bands took the piano from ragtime, and the saxophone and trumpet from dance hall bands. This type of music was very much a continuation of blues music, except that it took advantage of the instruments of the marching band.

Jazz would eventually be assimilated by white pop music (from Broadway show tunes to Tin Pan Alley ballads) without causing any major upheaval. This became the unchallenged popular music of America during the Swing era of the 1930s and 1940s.

It was, indirectly, also another stage in the process of black assimilation of white musical styles, because jazz was founded on ragtime, and ragtime was fundamentally the grafting of European musical styles (such as marches and waltzes) onto West-African syncopated rhythms.

Jazz has, from its early 20th century inception, spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, Bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz from the 1950s and 1960s, jazz-rock fusion from the 1970s and late 1980s developments such as acid jazz, which blended jazz influences into funk and hip-hop.

This genre can be hard to define because it spans from Ragtime waltzes to 2000s-era fusion. Jazz, however is often characterized as the product of democratic creativity, interaction and collaboration, placing equal value on the contributions of composer and performer, ‘adroitly weighing the respective claims of the composer and the improviser’.

Jazz musicians began to compose their own material because improvising on other people’s material was neither fun nor as rewarding as improvising on one’s own material.

Early stars included other New Orleans musicians like King Oliver and Jelly Roll Morton, a Creole musician who, in the early 1920′s, recorded over a hundred of his own and other’s Jazz tunes.

Trumpeter, bandleader and singer Louis Armstrong was a much-imitated innovator of early jazz. Trumpeter and sin ger, and first internationally known jazz soloist also pioneered the Bebop movement in 1945 along with Charlie Parker.

Louis Armstrong was born and raised in New Orleans, a culturally diverse town with a unique musical mix of creole, ragtime, marching bands and blues.

Armstrong was immediately popular and added to the growing prestige of King Oliver’s band. Oliver’s band played primitive jazz, a hotter style of ragtime, with looser rhythm and more improvisation, and Armstrong’s role was mostly backup.

Louis Armstrong soon grew to become the greatest Jazz musician of his era and eventually one of the biggest stars in the world. Armstrong played with King Oliver for a short period of time and then formed his own group, the Hot Five.

Armstrong applied a similar technique to his vocals, which did more than just popularize “scat” singing. They invented a way to sing without singing. Armstrong turned the human voice into not only an instrument but an instrument that was as legitimate for improvising as any other instrument of the orchestra. Armstrong became famous for his improvisations on covers of blues and pop standards.

Jazz fans, both African American and white, crowded in to hear Duke Ellington’s Orchestra. Famous for his “Big Band” sound, Ellington was himself a fine pianist.

Musicians such as Pharoah Sanders, Hubert Laws and Wayne Shorter began using African instruments such as kalimbas, cowbells, beaded gourds a nd other instruments not traditional to jazz.

Musicians began improvising jazz tunes on unusual instruments, such as the jazz harp (Alice Coltrane), electrically-amplified and wah-wah pedaled jazz violin (Jean-Luc Ponty), and even bagpipes (Rufus Harley). Musicians working in this field popularized this form of music through their creativity in jazz music.

Musicians who worked with Miles Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra which emerged in 1971 and were soon followed by Return to Forever and The Headhunters.

Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. Jazz continued to expand and change, influenced by other types of music, such as world music, avant garde classical music, and rock and pop music.

Jazz poetry, fashion, and industry were effected by the “basement” music that took the United States by storm. The music also exacerbated the racial tensions in the post war period as Jazz represented a break from Western musical traditions, where the composer wrote a piece of music on paper and the musicians then tried their best to play exactly what was in t he score.

By listening to the earlier jazz musicians it would be easier to assimilate this style of music by learning how to relate to jazz artists.

How to Buy a Good Used Piano

Date: 2010.09.03 | Category: Uncategorized | Response: 0

How to Buy a Good Used Piano

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Jazz From Goa, India

Date: 2010.09.03 | Category: Musicians | Response: 0

Jazz From Goa, India

HP- Tell us something about yourself.

CD- I’m a Mumbai goan looking forward to being a Goa goan very soon. I’ve reached two important milestones in my career. One is, after decades of playing everyone elses music i’ve development a style of my own and the biggest compliment I get these days is when someone recognizes my bassplaying on some tune they heard somewhere, they call up to confirm and..voila! The other milestone is probably every musicians dream, to produce music out of my own studio. A dream that will come true for me within this year when I setup my own state of the art studio in Sangolda. I’ve also setup an organisation called Jazz Goa with the help of fellow musicians and jazz enthusiasts in Goa.

HP- What drew you towards jazz?

CD- Jazz is a huge word, it should be spelt jjjaaaazzzzz! Seriously though, I think jazz is the most open, alive and evolving form of music that allows a musician to be him/herself. Most other forms of music demands a musician to follow trends and tradition or create stuff that’s currently hip. Whereas a jazz musician goes about his business listening, assimilating and finally innovating with yet another genre of jazz! We now have dixiland-jazz, swing-jazz, bebop-jazz, funk-jazz, rock-jazz, pop-jazz, fusion-jazz, latin-jazz, indo-jazz, mando-jazz… to cut a long story short, there’s a -jazz attached to every genre of music. And there will be a -jazz attached to every genre that comes along. I’m a musician who’s atracted to anything that looks, feels, smells, tastes and even sounds like music, so naturally I choose jazz as I get to play it ALL.

HP- What sets apart jazz music from other genres?

CD- Jazz is the only form of music that embraces all other forms and it is no longer American music. Today jazz can safely be called world music.

HP- What led you to become a jazz artiste?

CD- From amoung all the different genre’s of music I grew up listening to, for some reason it was always jazz that struck those extended chords within me. I could always hear the human and very often super human element in a jazz rendition.

HP- Your favourite jazz aristes/tracks.

CD- You’ll need to extend this interview by a few thousand pages to answer that. My all time favourite however was a bassplayer called Jaco Pastorius who revolutionised bassplaying taking bass right upfront, over, under and right through a song.

HP- To whom would you attribute your credentials as a jazz musician?

CD- To everyone i’ve worked with and everyone I would like to work with someday.

HP- Where and how did you train to be a jazz artiste?

CD- I have no formal training in music, I learnt music listening to other musicians, assimilating what I liked and using it consiously or subconsiously in performance until i developed a style of my own. Once I decided to play professionally though, I did study the technicalities through some great music books that are easily available these days.

HP- How do you prepare for a gig?

CD- I make sure there’s enough soda to go with the whisky…just kidding! It depends, if it is a concert where I would be performing my own compositions, I get the tunes composed, then get the band to rehearse and sound the way I heard it in my head. As it often turnsout, input from the rest of the band takes the tune to a dimension I would never have imagined. So you see, music is all about connecting and collaborating, don’t believe any of those fantastic one man bands. They’re faking it for monetary reasons, not that I have anything against it. All is fair in love, war and music.

HP- Talking about gigs, where and when did you first perform/how long have you been into jazz?

CD- Like most musicians I first got into music with school/college bands. I then graduated into fivestar hotel resident bands whose repertoire was made up mainly of jazz standards. I did that for ten years, playing music every night made me a musician.

HP- What is the jazz scene like in India, and Goa in particular?

CD- The jazz scene in India, Goa or anywhere in the world is the same. There’s a niche group of performers and listeners that grows all the time. Hopefully with jazz’s open armed evolution, it will grow into the global sound of music.

HP- What have been your highs and lows in your career thus far?

CD- The highs have always been the applause at the end of a track performed, the lows would be finding out that the applause was actually for the sixer Sachin hit on the big screen just besides the stage at Jazz by the Bay in Mumbai.

HP- How would you explain your role as a jazz musician in society?

CD- A jazz musician gives people a nicer high than some other interesting social highs.

HP- Define jazz.

CD- Jazz is improvised music. Sometimes structured, sometimes orchestrated, sometimes free of form and almost always, spontaneously created.

HP- Notable gigs/performances.

CD- The world reknowned Hennessey XO jazz tour has always been featuring jazz artistes signed by the American Blue Note label. Last year for the first time a jazz band outside the label, from far away India, was selected for this prestigious international tour. I was the bassplayer for that band. An unforgettable experience for sure. More recently my indo-jazz fusion band ‘The Brown Indian Band’ has been approached to open for Sting’s European tour this year. Fingers are crossed about that one.

HP- Collaborations with other musicians.

CD- I am contineously collaborating with musicians from all over the world thanks to the internet and my website http://www.hullocheck.com

HP- I understand you have been into different genres of music and worked with various ensembles. Tell us more.

CD- As I mentioned it before, when it comes to music I want it ALL. Name the genre and chances are, i’ve been there. You’ll find traces of just about every genre in my own music. There are very few musicians in the world today, who would match the number of bands and musicians I have worked with.

HP- Currently performing at…

CD- I currently perform on two resident contracts in Mumbai at the JW Marriott hotel in the afternoons and the Taj Lands End hotel in the nights. I also take timeoff from these two gigs to perform at concerts and corporate events in India and abroad. So that averages some sixty gigs a month!

HP- Your hobbies/interests…

CD- My main hobby and interest is my profession today. Everyone else works for a living, I play for mine. Someone once told me ‘All play and no work makes…makes me tick!’ Seriously though, I am very keen on improving the plight of most goan musicians in Goa. I was one sometime ago so I should know the raw deal most of them get. My plan is to set up Jazz Goa as an umbrella organisation for not just jazz but all the other immense artistic talent in Goa. To start with my studio in Sangolda will record and produce deserving artistes. Jazz Goa will then launch the best from there at a global level. Jazz Goa has already produced four audio CD’s and a DVD that is available in Goa exclusively at Vibes Music in Margao and online at http://www.jazzgoa.com

He’s one of the world’s most prominent veteran jazz musicians, American saxophonist David Sanborn jams at the Second Cup Café with a fresh song from his latest album, “Here And Gone.”
Video Rating: 4 / 5

Proven Methods to Sell Your Music Online and Promote Your Band

Date: 2010.09.03 | Category: Music | Response: 0

Proven Methods to Sell Your Music Online and Promote Your Band

The internet has revolutionised the music industry and how music is sold and distributed online. We are all aware of the issues facing illegal music downloads and the heavy impact it has on bands to generate payment for their music. But we are talking about the best ways for you to sell your music and generate publicity for your band.

With the increase in internet usage throughout the world and the easy availability of internet based tools and software, you can now record a professional sounding record in a home based studio or promote yourself through Sites such as MySpace, MyBandMate, YouTube and similar sites. There are a number of key avenues to pursue for bands and musicians when it comes to selling music online and these sites are providing free resources and tools to showcase your music.

If you are a budding musician or band and are looking for ways to sell your music online then below are some proven tips to get you started. They are free and will generate a lot of exposure in promoting your music.

Forums are a great way to promote your music and ultimately drive potential fans to your site and music. You need to find forums that are not only specific to music but also to your genre of music. For example, if you are a Christian rock band, there is no use trying to promote your music in a reggae forum. Promote your music to your target audience. You never know who is reading your forum posts and the whole game is about getting your name and music out there in a number of forums.

Free music networks such as MySpace and YouTube allow you to upload and share your music. MyBandMate is an example of a site that allows you to target your specific audience by promoting your music in various ways via online forums, chat, article postings, music and video uploads, classifieds and much more. Remember, it is a numbers game so the more sites you get onto the more exposure your music will get. Take advantage of these free music networks and you may just get discovered in a big way!

Chat rooms can be useful in spreading the word around about your music. Once again you need to choose the right chat rooms otherwise you will just be wasting your time. These chat forums can be a great way to network.

Blogs have been all the rage of the last few years and they have a powerful presence in ranking highly in the search engines. A well written blog that provides the reader with valuable and informative content can keep that reader returning on a regular basis. In your blog you can have links for fans to buy your music or CDs online.

Classifieds are often under utilised by musicians. Most people think that classifieds are only there to post jobs, sell instruments or look for new band members. However, you can generate a lot of traffic and eventually sales by posting your music for sale in the appropriate category.

Have you heard of Squidoo? If not then this is a great marketing tool that’s free and allows you to create a page about your music or band. You can then use their powerful marketing tools to achieve a high ranking in the search engines.

Having your own website is not essential but it’s definitely worthwhile. A simple one or two page site can cost you less than 0 a year so the cost is not too high. Many webhosts such as GoDaddy allow you to register a domain name, sign up for a years hosting and use their easy to use software to create your own website without any technical or previous website knowledge. If you don’t have your own site then MySpace and MybandMate are definitely two free music networks that allow you to create your own profiles and mini sites with all the required features to promote your music. If you are a musician and are not using these free music networks then you better ask yourself why not! You can’t sell your music if you aren’t willing to put in some time promoting your music.

Many bands are using Google Adwords to promote their music. This has proven to be successful for many bands but it can also be quite costly. These small ads are not only displayed in the Google search results but also on sites with related content for your topic. Remember to carefully select your keywords to bid on and learn more about how much you should be paying per click.

Another great way to generate free publicity is to type up a brief news release and submit it to be launched all across the internet for free in one of the many free press release sites. Often these news releases will achieve high rankings on the search pages. Be sure to use the keywords in your title, summary and content.

Other key points to note are that you need to build a relationship with your fans. This can be done via these music networks or your own newsletter. By building your list you can promote and sell your music to people who you know are interested in your style of music. You can also send out samples of new songs.

Musicians need to be aware that the majority of their income will come from the money they make from their gigs and selling merchandise at these gigs. This is why you will want to have a box of CDs with you to sell at the end of your gig. You need to target potential customers while they are pumped about your music. This is when you want to sell your CDs.

Ultimately, to sell your music you need to firstly promote your music via the various avenues as outlined above. You could have the next best hit single or a top selling CD but if no one knows about you or your band then you will never sell your music. It is such a competitive market and you should use all of the free tools out there on the internet to showcase your music to the world. Everyone who has a computer is a potential customer and therefore you have a global market!

112 Room 112 Pop Music CD Review

Date: 2010.09.02 | Category: Musicians | Response: 0

112 Room 112 Pop Music CD Review

The exceptionally talented Pop group 112 have released their CD entitled Room 112. I am very confident and happy to announce that I believe 112 fans, and Pop fans alike will be pleased with this one. With the release of Room 112 their artistic excellence is on full display as they have once again delivered a brilliant collection of tracks that could very well be their best work to date.

112 have been a super stars in the Pop genre for quite some time now and Room 112 is an excellent illustration as to why.

One of the nicer things about a CD like this is when the talent is this rich even if Pop isn’t your favorite style you still can’t help but appreciate the greatness of the musicians.

This is a first rate CD, delivering a little something for everyone. I give it two thumbs up. It’s quite simply great listening. A must buy for the Pop fan.

While the entire album is outstanding some of my favorites are track 3 – Be With You, track 8 – Love You Like I Did, and track 19 – Your Letter

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 2 – So Much Love. Outstanding!

Room 112 Release Notes:

112 originally released Room 112 on November 10, 1998 on the Bad Boy Entertainment label.

CD Track List Follows:

1. Room 112 – (intro) 2. So Much Love – (interlude) 3. Be With You 4. Love Me – (featuring Mase) 5. Only One, The – (featuring Lil’ Kim) 6. Anywhere – (interlude) 7. Anywhere 8. Love You Like I Did 9. For Awhile – (featuring Faith Evans) 10. Don’t Go Away – (interlude) 11. Stay With Me 12. Watcha Gonna Do – (featuring MJG) 13. Crazy Over You 14. Funny Feelings 15. Never Mind 16. Someone To Hold 17. All My Love 18. You Are The Only One – (interlude) 19. Your Letter

112: Marvin, Daron, Q, Mike (vocals).

Additional personnel includes: Zane Copeland, Jr., Mase, Lil’ Kim, 8-Ball, MJG (rap vocals); Faith Evans (vocals); Arnold Hennings (various instruments); Ali Boudris (guitar); J-Dub (strings); Kris Kellow (keyboards, programming).

Producers include: J-Dub, Sean “Puffy” Combs, Daron Jones, Mario Winans, Steven “Stevie J” Jordan.

Engineers include: Ed Raso, Stephen Dent, Rob Paustian.

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play a real instrument! Play a bass drum Youth Zippered Hooded (Hoody) Jacket (for Kids) BLUE MEDIUM

Date: 2010.09.02 | Category: Bass | Response: 0

play a real instrument! Play a bass drum Youth Zippered Hooded (Hoody) Jacket (for Kids) BLUE MEDIUM

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• This is an excellent quality jacket with a garment weight of 7.75 oz., 50% cotton/50% polyester fleece full zip hooded sweatshirt. It is a Pill resistant Air Jet spun yarn. Unlined hood without drawstring. Coverseam stitching along neckline, shoulders, armholes, cuffs and banded bottom. YKK nylon zipper. Front pouch pockets. 1×1 athletic rib knit cuffs and waistband with Lycra®. Set-in sleeves.
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Music, Musicians, and Hearing Loss

Date: 2010.09.02 | Category: Musicians | Response: 0

Music, Musicians, and Hearing Loss

Whether you’re a musician or just a music lover, playing your music too loud on a regular basis can cause hearing related problems. For example, if you’re one of those people who like to drive around in a “boom box car” with the music up full blast you should consider turning the music down quite a bit. Those “boom box cars” can generate up to 130 decibels of sound, which is very near if not over the human hearing pain threshold. A typical value for this threshold of pain is 120 decibels. To put things into perspective, a soft whisper is about 30 decibels while a train is around 100 decibels. The average rock concert is around 120 decibels, which is right at the pain threshold. On a personal note, I wear earplugs to every concert I attend as a precaution, since prolonged exposure to sound pressure levels in excess of the threshold of pain can cause physical damage, potentially leading to hearing impairment. It’s important to keep in mind that hearing-induced hearing loss is permanent.

Hearing impairment is measured by the amount of level of loss in what are called decibels (dB) hearing level (HL). Decibels are like degrees of a thermometer. As temperature increases, so do the number of degrees. As the volume of sound increases, so do the number of decibels. A normal conversation will usually range between 45 and 55 dB. A baby crying falls around 60 dB and busy downtown traffic can be almost painful at 90 dB. If you can hear sounds between 0 and 25 dB most of the time, your hearing is pretty normal and you most likely don’t need a hearing aid, although it could enhance your abilities in some situations. If you only hear sounds above 25 dB HL, your hearing loss may be mild, moderate, or severe. These terms will be discussed in more detail in the next paragraph.

Hearing loss can be basically categorized in four ways: mild, moderate,severe, and deaf. Mild hearing loss is considered to be a loss up to 40 decibels, which will usually lead to trouble in hearing ordinary conversation.

Moderate hearing loss is a loss of between 40 and 60 decibels. This usually means that voices must be raised for the hearing impaired person to hear them. Severe hearing loss, which is loss over 60 decibels, would require that people shout for the hearing impaired person to hear them. According to the World Health Organization, the term “deaf” should only be applied to individuals with hearing impairment so severe that they cannot benefit from sound amplification or hearing aid assistance.

Even the slightest loss of hearing can make life difficult. Although conversation is audible at low frequencies which usually means the deeper voices, it’s much more difficult to hear higher pitched voices. This is because with typical hearing loss, the ability to hear high sounds is the first to go, which means it will be harder to hear birds or women’s voices. As the problem worsens, the loss of the lower tone reception soon follows.

A major problem with hearing loss is that 90% of the time the hearing loss is so subtle and gradual that people don’t always notice it until it’s too late and some hearing loss has occurred. Additionally, musicians most likely suffer from not just hearing loss but also have ringing in their ears and pitch-perception problems, which might cause them to inadvertently play a C sharp note instead of a straight C. Some musicians, especially those who start out young such as violinists, start losing their hearing as early as the age of 10.

Many musicians now use ear monitors to keep down the levels of sound they absorb on the stage while performing, he said. These monitors look like little hearing aids with wires attached to them and they enable each musician to precisely control how loud it is in their ear. Oddly enough, it has been found the musicians who play classical music have a greater significance of hearing loss than do rock musicians. This is based on the fact classical musicians have a tendancy to play more concerts, teach several hours a day, and then practice several hours a day so in most cases they put in more hours than do rock musicians.

Music lovers should moderate in the length of time and level of loud music to which they expose their ears.

Rock Guitar Lessons ? A Proven Way For You To Pursue This Dream

Date: 2010.09.01 | Category: Musicians | Response: 0

Rock Guitar Lessons ? A Proven Way For You To Pursue This Dream

Are you the person who has always wanted to learn rock guitar? Do you love listening to rock music on your I-pod, Walkman, or home surround-sound stereo system wishing that you could play like some of those musicians? 10 to 15 years ago, you were limited in learning how to play the guitar in this style. Now, one of the most popular and successful ways to learn to play is to take rock guitar lessons online.

The period beginning in the late 60’s through the mid 70’s is when several famous rock guitar musicians caused the popularity of the instrument to explode, worldwide. On Internet sites such as you-tube, videos have been legally posted in which you can see the classic playing styles of Jimi Hendrix, Eric Clapton, and Jimmy Page. Unlike the other two, Jimi Hendrix became famous more for being a featured solo artist as opposed to his being a member of a prominent group. In songs such as “Watch Tower” and “Hey, Joe”, Hendrix’s brilliance can be seen through his virtuoso improvisation and dexterity on the guitar.

Eric Clapton became famous first in the mid 60’s group “Cream”. “Sunshine of Your Love” remains one of the most famous opening guitar riffs, played by Clapton, in rock history. I also personally like a song composed by Clapton when he became more of a solo artist in the early 80’s called “She’s Waiting”. In the middle of the song, Clapton improvises with a brilliant and emotional expansion on the opening theme.

Jimmy Page, the British rock guitarist was a member, first of the mid-60’s group called the “Yardbirds”. A few years later, Page along with Robert Plant as lead singer, John Paul Jones on bass guitar, and the late, great John Bonham on drums, formed the quartet known as “Led Zeppelin”. “Stairway to Heaven” is commonly known as the group’s most well-known recording. Many followers of “Zeppelin” believe, however, that the song “Dazed and Confused” was the group’s most brilliant work. With Jones providing a brilliant, repeating bass line on his guitar, Jimmy Page on lead guitar has a stunning solo improvisation in the middle of the song. Jimmy Page also broke new ground by using a bow string, (used for playing the violin, viola, cello, or string bass in an orchestra) to create the most amazing sounds on his lead guitar. If you have heard of this song, but not seen it performed on video; you would owe it to yourself to find it on the Internet just to watch the sheer brilliance of these rock musicians.

I hope in discussing these 3 great musicians, that I have heightened your interest in taking lessons. Interactive, online lessons for rock guitar have been proven to be an advantage; compared to what was available even 10 years ago. Back then, you would have been limited in getting the type of quality instruction allowing you to improve your playing skills on the instrument. Basically, you would have had to personally know an instructor who could teach you all of the technique in this style of playing. Even then, the mentor might not have been capable of clearly communicating his/her instructions in a manner making it easy for you to understand as he/she taught. In addition, a good quality teacher might have only been available in a music studio for several hours per day; and at a time which was really not the best for you.

Good quality online guitar programs would include video as well as audio/text tutorials; giving you a number of ways to learn songs in addition to the technique required allowing you to improve on the instrument. You should be able to download the teaching lessons right to your computer, or have the option of purchasing DVD’s monthly from the site. The ability to learn at your own pace and from the comfort of your home is another major advantage in learning how to play the instrument online.

If you are interested in taking rock guitar lessons, choosing to take online instruction now presents the best choice for you. Do your due diligence by first researching a program that offers exactly what you are seeking. Not all interactive, online programs are equal as far as the opportunities that they are able to offer to you. Some of the best programs however, could have you one day sounding like a Clapton, Hendrix, or Page! For much more information available I urge you to visit this site: http://theplayguitarlessons.info.

Affiliate Disclosure: It is advisable to assume that any mention of a product or service on this website is made because there exists, unless otherwise stated, a material connection between the product or service owners and this website. Should you make a purchase of a product or service described here the owner of this website may be compensated.

Classic Game Room talks about the Rock Band 3 demo from E3 2010 and talks about what experienced musicians can expect with the new game from Harmoix. This is a look back at the MTV Games booth where 7 people played Rock Band 3 for a demonstration. They used a keyboard (keytaur!), two backup singers, lead vocal, drums, guitar and bass. The one guitarist played a REAL guitar with Rock Band 3 and was scored in the game on Rock Band 3 Pro mode (Rock Band 3 professional mode). The game will have some accessories that support MIDI so that you can use other guitars and keyboards. Available for Xbox 360 and Playstation 3 PS3.
Video Rating: 4 / 5

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John Thompson’s Easiest Piano Course Part 1

Date: 2010.09.01 | Category: Piano | Response: 5

John Thompson’s Easiest Piano Course Part 1

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Even Beginners Can Make Great Music With a Synthesizer

Date: 2010.09.01 | Category: Musical Instruments | Response: 0

Even Beginners Can Make Great Music With a Synthesizer

Synthesizers are electronic, keyboard-based instruments that produce artificial, or synthesized, sounds. Many frequently mistake synthesizers for simply portable, electronic pianos, but the differences are extremely vast. While synthesizers can definitely produce a piano sound, their main purpose, usually, is to create sounds not specifically found on any other instrument.

The process of creating these sounds is sometimes very difficult; while some synthesizers come with pre-created sounds, or patches, many come with a clean slate. The synthesizers produce sounds by a series of dials and knobs dedicated to a variety of aspects: oscillation, modulation, sustain, delay and attack, just to name a few. Some synthesizers even create sounds based on a patch bay.

Remember old telephone operators that patched calls through based on cords and inputs? Some synthesizers use the same principle (and are generally used by those with an extremely advanced knowledge of their workings). And what’s more, many older synthesizers don’t offer the option of saving the sounds created; instead, the user has to keep detailed records of dial and knob placement, being careful to catch every nuance. To recreate a sound on these synthesizers is to keep very meticulous notes.

Synthesizers made their break into popular music during the 1970s and 80s when numerous progressive rock bands began using them to create cosmic, unfamiliar sounds. However, devices from different manufacturers were generally not compatible with each other and could not be interconnected, so eventually a digital standard for musical instruments called “midi” was born. Midi is an acronym for musical instrument digital interface.

Midi allowed synthesizers made by different companies to communicate with each other, which was a huge breakthrough and was responsible for the explosion of synthesizer use. One of the first synthesizers was a “Moog”. I remember meeting Bob Moog back in the 70′s at NAMN – a trade show in Anaheim across the street from Disneyland. More than any other person, Moog had created the first useable and affordable synthesizer. Soon companies such as Roland and Yamaha with deeper pockets came out with more affordable models. I think I bought my first synth in about 1980 – a Roland that I used for probably 10 years before moving on to something more current.

The use of synthesizers quickly developed into an entirely new genre of music, electronic music, headed by such veterans as Kraftwerk (who, by the way, are still massively popular). They eventually found their way into almost every branch of 1980s popular music — which is probably why they fell so far out of favor. Synthesizers in the mainstream music industry quickly became associated with 1980s bubblegum pop, the very thing that new rock and punk bands were railing against. And even while an electronic music scene thrived (and even revolutionized), synthesizers became known as the outdated kiss of death for popular, mass-audience intended music.

The late 90s, however, saw a resurgence in the use of synthesizers among underground rock and punk bands (ironically enough) and have quickly become re-embraced by the popular music industry.